Showing posts with label carving. Show all posts
Showing posts with label carving. Show all posts

Saturday, November 9, 2013

Bits and Pieces

Completed Repair
This piece came into the studio with several condition problems.

The Chinese silk embroidery panel was distorted because of breaks in the support frame for the embroidery, and the stand itself was missing a carved bracket and several pieces of mother of pearl inlay.

My "impression" is that the silk in the frame is not the original occupant, but a period section of fabric trimmed to fit the original missing artwork.

The embroidery had been lined much like a canvas for a painting and the brown silk border was sewn around the spruce stretcher and then strung taut in a rather "shoe-lace" fashion across the back.

I started out by reinforcing the damaged stretcher support. Pulling back the lining and isolating the material with glassine, I glued the shattered spruce elements and reinforced the breaks with strips of new spruce.

A side note: the clamps are actually older style Intravenous tube clamps that I purchased at American Science and Surplus. The small hemostat clamps came from there as well. A great source for odd and unusual bits and pieces.




The frame itself was missing one of the carved support brackets so I traced one of the originals and set about carving the replacement.

The original is on the right






























The mother of pearl inlay was an easier task. Again tracing the replacement from an original (in this case a flower) and then engraving the petal detail before resetting it in the groundwork.





Detail of the embroidery
As usual there are more photos on Flickr



Lid Repair






Stand Repair

Before

Turned Profile
Carved

Completed

The Original

The Replacement


Additional Photos on Flickr

Tuesday, April 19, 2011

Mass Production "1750 style"

with a little 21st century help

When this pair of  demi-lune tables arrived only one of the 12 carved corner brackets or spandrels  remained entirely intact. I decided it was best to make complete spandrels and than cut them into the remaining sections to retain as much of the original as possible.

Traditionally a  tracing or rubbing would be made to duplicate the missing parts.

Instead I photographed the bracket, scaled it in Adobe Photoshop and traced over it in Corel Designer. After adjusting for the printers scaling I printed out 12 perfect templates giving me one more bracket than I needed but allowing for "mistakes" From that point on it was back to the eighteenth century.

The first step was to cut out all of the profiles with a scroll saw and clean up the corners and inside cuts with a chisel.

Then the template was cut into sections and the details traced onto the faces of the blanks.

Its always tempting to want to carve one of the pieces completely at this point. But being impatient to see the final result will lead to a lack of uniformity. Completely carving each bracket before starting the next would mean that each one is unique and individual - an admirable trait in some things but not in a repeating pattern.
The face elevations are all carved on each piece followed by the rounding or each leaf followed by the... section by section, piece by piece.






A very gratifying and peaceful way to spend an afternoon - or three.


Additional Photos



History


In talking to the client about this post it became apparent that I had neglected some relevant history. This pair of demi-lunes was a "near" pair. The earlier piece being 18th century, the later an almost perfect copy made in the late 1800's.

Thank you Don for refreshing my memory!